Directing from the harpsichord, David made his debut for Glyndebourne-on-tour at the start of 2019/20 with Robert Carsen’s exuberant productionof Rinaldo featuring countertenor Jake Arditti in the title role and Anna Devin as Almirena. His plans that season also included Serse (with Jakub Orlinski) for Opera de Rouen and Ariodante for the London Festival of Baroque Music with his own group, La Nuova Musica.
He will make his debut with Komische Oper in 2021/22. Previous opera productions have included Xerses at Iford Arts, Cesti’s L’Orontea at the Innsbrucker Festwochen, Cavalli’s La Calisto for Cincinnati Opera (directed by Ted Huffmann), James Darrah’s production of Iphigénie en Tauride at the Lisbon’s Teatro São Carlos and Vivaldi’s Il Farnace with the Tony Award-winning theatre director Garry Hynes at the Spoleto Festival in the US. In December 2020 he will conduct Handel’s Messiah for both the Handel and Haydn Society in Boston and the Irish Baroque Orchestra
A graduate of the Royal Academy of Music in London and of the Schola Cantorum Basiliensis, David Bates initially embarked on a professional singing career before turning to directing/conducting. Inspired by his work with such renowned conductors as Sir John Eliot Gardiner, Mark Minkowski, Andrea Marcon and Nicholas McGegan, and driven by a desire to articulate his own musical vision, he founded La Nuova Musica, a vocal and instrumental ensemble dedicated to the music of the Baroque and Classical periods. Now in their tenth year, La Nuova Musica appear throughout the season in St John’s Smith Square, commence a three-year residency for Brighton Festival in 2020 and return to the Bath MozartFest in November 2019, having closed their 2018 festival with a memorable performance of Haydn’s The Creation. They are regular visitors to Wigmore Hall and have a substantial residency planned for 2021/22 focussing on Monteverdi. In 2015 they embarked upon a series of concert performances of Handel for the London Handel Festival, performing Acis and Galatea, Berenice, Il Trionfo del Tempo e del Disinganno, Il Duello Amoroso, Apollo e Dafne, Orlando, Alcina, with have yet to perform Ariodante and Rodelinda.
Their first release for Pentatone is Gluck’s Orfeo ed Euridice with Iestyn Davies, Sophie Bevan and Rebecca Bottone recorded live from concert, and reviewed at the time by Opera Now as “… a subtle, vivid and detailed performance of Gluck’s original 1762 Orfeo ed Euridice at St John’s by David Bates and La Nuova Musica was just as intense and pleasurable – and a reminder how under-performed Gluck is. This was all about sounds and textures, a physical enjoyment of the half-hidden, frisson-inducing details of a passing discord or suspension, a drawn-out cadence, a viola line”. Their CDs for Harmonia Mundi, all of which have garnered outstanding reviews and received ‘Le choix de France Musique’ and ‘Editor’s Choice’ by Gramophone Magazine, includes Handel Dixit Dominus, Charpentier and Carissimi Histoires Sacrées, Couperin Leçons de Ténebres with Lucy Crowe and Elizabeth Watts and Pergolesi Stabat Mater.
As an assistant, he has worked with Emmanuelle Haim (including Opera de Paris and Opera Zurich) Ivor Bolton (Teatro Real) and, at Glyndebourne, with William Christie and Laurence Cummings.